Essayist Richard Rodriguez meditates on religion and sexuality in a post 9/11 world in his new collection "Darling: A Spiritual Biography."
“I considered Spanish to be a private language. … Without question, it would have pleased me to hear my teachers address me in Spanish when I entered the classroom. I would have felt much less afraid. … But I would have delayed — for how long postponed — having to learn the language of public society. … But I couldn’t believe that the English language was mine to use.” — Essayist Richard Rodriguez details the tension between learning Spanish, the language of his parents, and learning English. Quote from: Rodriguez, Richard. The Hunger of Memory: The Education of Richard Rodriguez, an Autobiography. New York: The Dial Press, 1982, p. 19.
Peabody award-winning essayist Richard Rodriguez, a native of Mexico, was a California schoolboy in 1963. Dallas became known as the city of hate, but he disagreed.
Free Essays on Richard Rodriguez The through
Acclaimed journalist and essayist Richard Rodriguez writes about the intersection of his personal life with some of the most vexing cultural and political problems facing America.The Mexican-American essayist Richard Rodriguez is one of America’s great observers of self and society. His lyrical writing embodies the way particular human experience, articulately recorded, can reveal deep truths about what is enduringly human and universally animating. A public conversation at the Chautauqua Institution.PITTSBURGH—Essayist Richard Rodriguez will give a free reading as part of the University of Pittsburgh Writing Program's Pittsburgh Contemporary Writers Series at 8:30 p.m. Sept. 29 in David Lawrence Auditorium, Room 121, in Oakland. includes conversations with a broad range of the city’s figures, from acclaimed actress Salma Hayek and businessman/ philanthropist Eli Broad, to renowned author and essayist Richard Rodriguez and Cardinal Roger Mahony. Far-reaching and thought-provoking, the issues explored in the film are relevant well beyond the borders of the city — a city that, as filmmaker Phillip Rodriguez says is “defined by its energy,” not by geographical boundaries.