In the reviews of my first two novels, the issue of the unreliable narrator has been mentioned often
Then there's the kind of narrator who I'd call a storyteller, if we weren't already using that term for something else. This is the teller of tales: the fable-writer, such as Angela Carter, where the narrator is always in charge even if they never set out to prove a point or persuade you of something. This narrator's project is quite different from the normal purpose of realist fiction. Here, the narrator's voice is all, and (rather as with the essayist narrator but to an entirely different end) that's what keeps us reading: the voice of the storyteller. Our engagement is less with the characters as fully-rounded, realistic people, although we may care about them, but instead it's very much with the narrator.
At the extreme end of the possibilities of the privileged narrator is what James Woods in How Novels Work calls the essayist narrator, a personality expressing opinions in their own voice about not just the events and characters of the story, but also the world at large. I suspect that readers (and writers) either love, or hate this kind of novel, because the personality - voice, opinions, judgements - of the writer looms so large in it. You love it, if you love the narrator.
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