Essays concerning philosophical topics, by Roman Eisele (in German).
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Nietzsche's purification of the body, in which dance has a privileged function, is also reflected in Mallarme's and Valery's poetic statements adding their specific character to the concept of autonomy. For Mallarme, the body of dance can never be a body of somebody but always an empty emblem, never a somebody. A dancing body therefore does not depict some other body or person, and is not conditioned by anything outside it. This is how we can understand his famous statement on the female dancer (which, of course, has also many other connotations but let us read it just as a statement on autonomy): "The dancer is not a woman who dances for the juxtaposed reasons that she is not a woman but a metaphor." The body is a form, a metaphor for movement that is capable of creating representative webs. Valery's opinion, described in his essay Philosophie de la danse, is similar to Mallarme's. He is also fascinated by the female dancer. Valery compares the state of dancing to the state of sleeping, thus re-establishing the finite form of the body. The dancing body is preoccupied with itself, nothing exists outside the system formed by dancer's actions. A female dancer has no exterior, says Valery, and such state is very similar to sleeping; the state, where everything moves but there is no reason for or intention to supplement anything, there is no exterior reference. Dancing is thus a specific manner if inner life that gives this psychological term a new meaning within which physiology is dominant. In dancing, there is nothing but the body and this body is with its inner web and epidermal surface self-sufficient and absolutely autonomous.
Schöpfung - Sterne - Essays Philosophie Darwinisums Ernst Krause 1884